John Cusack, what have you become?

Did anyone hear about John Cusack’s latest film? The thriller supposedly inspired by the real events surrounding a notorious Alaskan serial killer, even though there are really no similarities between the stories, co-starring Jennifer Carpenter of Dexter? No? First you’ve heard of it?

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I’m not surprised, because not only did this mediocre film go straight to DVD, it’s also completely formulaic – a thriller to the T. Although it’s got all the right pieces of the puzzle – big-name actors, a provocative premise, and all the twists you would expect from a thriller – when you put the puzzle together it produces a completely bland film that offers the viewer nothing new.

This is a great example of an easy trap to fall into for screenwriters. While you need to of course pay attention to the genre in which you are writing, it is possible to adhere too closely to accepted norms. In order for a film to have a real impact, it needs to go outside of the box in some way. Unfortunately, The Factory simply doesn’t do that.

Even worse, John Cusack’s performance is painfully underwhelming and shallow. Now, I love the classic Say Anything John Cusack as much as the next girl, but he’s really gone downhill now that he’s no longer that earnest and playfully endearing teenage underachiever. Somehow he doesn’t seem able to play the more mature roles now demanded of him, especially the protective father figure of The Factory. Many would argue that 2012, quickly followed by Hot Tub Time Machine, marked the beginning of the end for Cusack, but personally I rather enjoyed HTTM and didn’t find 2012 as atrocious as some. So I still had hope, until now.

What do you think about John Cusack’s career trajectory? Have you seen or heard of The Factory before now? Let me know what you thought of it!

‘The Factory’ Is Just Another Thriller Off the Assembly Line
Liz Medendorp @ PopMatters

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With well-known actors and a provocative premise, it’s surprising to see a film like The Factory go straight to DVD (sans bonus features or scene selection options). It hits all the high notes: abduction, abuse, murder, and even fatherly heroics. But this film’s failure to make an impact is perhaps due to too strict an adherence to the thriller formula. In the end, The Factoryleaves you with nothing new, only a sense that you’ve somehow seen it before.

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Industry Trends: Looking at 2012

As we look back at the biggest hits and biggest flops of 2012, there is a lot we can learn about industry trends and what works right now in film. The following article helps boil down a lot of information and makes some interesting projections about the future of film making in 2013 and beyond.

In particular, there have been some interesting developments in terms of:

  • Foreign markets and foreign (especially French) film influence
  • The draw of a-list directors and the lack of women directors
  • Genre formulas – and breaking out of them
  • Peak seasons and the possibility of having hits outside of them
  • The growth of smaller, even independent projects in mid-budget wide releases

One other pretty obvious trend that is only mentioned in passing in the article is the prevalence of the re-make/re-boot/sequel. Viewers are growing more and more aware of this approach of re-packaging and re-releasing successful films or other cultural products, to the point where there has been a good deal of criticism of it. Despite this call for more original work, I am not so sure that this trend will abate anytime soon. What do you think?

Have you noticed any other trends in the film industry over the past year? Where do you think films will go in 2013?

Take a look at the full article here:

Tops and Flops of 2012 Box Office – Lessons Learned
Tom Brueggemann @ Indiewire

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On the surface 2012 doesn’t look like a game-changer, after a decade of film business upheaval. In many ways the top fifteen top-grossers are all-too familiar–sequels, tentpoles, animated family fare and a comedy. But dig into the hits a bit and there are developments that could change how future films get made.”

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Top Ten of Twenty Twelve

I would be remiss if I did not post my Top Ten Films of 2012 list, and what a better way to start up the reboot of Mewling Quim. Now, I of course haven’t seen every single film that came out this year, but I saw a good deal of them, so here is my judgement. I’d be delighted to hear your top ten lists, or your thoughts on mine.

1. The Avengers (Joss Whedon)

120102-avengersI think it’s pretty much a no-brainer that The Avengers would be my favorite film of the year, if not of all time. This box office smash has an incredible ensemble cast, compelling action sequences, stunning visuals, and above all, phenomenal writing. I just rewatched this film last night and I am truly astonished at the clever, quick-witted, and sarcastically humorous quips that all fit impeccably with the different characters. This is, of course, all thanks to the incredible Joss Whedon.


2. Django Unchained
(Quentin Tarantino)

DJANGO UNCHAINEDI’ve always loved Tarantino films, but Django goes beyond what he has done in the past. Not only does this film tell a touching love story that is not overdone, but it also includes all the badassery you would expect from Tarantino. I’m not one to flinch at violence, but the true brutality of some of the scenes in this film were hard for even me to watch, reflecting the horrors of slavery around which the narrative centers. Pair that with an impeccable and clever performance from Christoph Waltz, a terrifyingly real one from Leonardo DiCaprio, and a better-than-expected one from Jamie Foxx, and you’ve got my #2 pick for the year.

3. The Cabin in the Woods (Joss Whedon)

120102-cabininthewoodsYes, another Joss Whedon film. It’s been an admittedly great year for the guy (including the stellar premiere of his adaptation of Much Ado About Nothing at the Toronto Film Festival leading it to be promptly picked up by Lionsgate and slated to be released in the near future). Cabin in the Woods reflects Whedon’s roots in his love for the monster-of-the-week spoof, appealing to horror film lovers of all kinds. I don’t want to say too much about this film because its greatness lies in its surprises, so if you haven’t seen it, just go watch it. You won’t regret it.

4. Looper (Rian Johnson)

Joseph Gordon-Levitt; Bruce WillisLooper offers one of the year’s greatest serious sci-fi flicks, with all of the plot twists and mysteries you would expect from one. Joseph Gordon-Levitt is incredible and is an uncanny young Bruce Willis. As the film was written for Gordon-Levitt, is major shortcoming is that, once Willis got on board, Gordon-Levitt’s portrayal of the young Joe Simmons is a bit restricted by his need to also be a young Bruce Willis. While the acting from both parties is great, I wish I could have seen Joseph Gordon-Levitt play the character the way he would have originally. Also, the ending was both horrible and great at the same time – just the way I like them.

5. The Amazing Spider-man (Marc Webb)

130102-spidermanThank god somebody finally gave us a likeable Peter Parker. No offense to Toby Maguire, but he was almost too sniveling and insecure to play the witty Spiderman, with a penchant for sarcastic banter. Andrew Garfield on the other hand… I wants me some more of that. While Garfield is almost too cool to be the nerdy Peter Parker, but at least he brings out the cleverly sarcastic side of Spiderman. His portrayal is also emotionally honest, and Emma Stone plays his counterpart, Gwen Stacy (who is so much better than Mary Jane anyway) wonderfully. Although it is a bit awkward to find the balance between retelling Spiderman’s genesis story so soon after another trilogy with striking out into a new narrative, I almost feel as though that essential part of Peter Parker’s life gets skimmed over. Overall, a highly enjoyable film and I can’t wait to see the rest of the new trilogy.

6. The Dark Knight Rises (Christopher Nolan)

DARK KNIGHT RISESOkay, I’m a huge Batman fan. He’s my favorite (at least DC) super hero by far, and The Dark Knight (2008) was probably my favorite movie of all time, until this year when it was usurped by The Avengers. The Dark Knight Rises, however, while still totally enjoyable and almost as epic, really fell flat for me. Nolan needs to stop playing with voice alterations – it’s bad enough with Christian Bale as Batman, and I think it’s gotten worse, but why give Bane such a whiny voice? I wish I could have heard Tom Hardy’s delivery of the lines a bit better, as I’m sure he did an incredible job. Also, I am still entirely against Anne Hathaway as Catwoman. It’s just wrong. Joseph Gordon-Levitt was the saving grace of that film, and I hope to Odin they do some films with him as Robin.

7. Wreck-It Ralph (Rich Moore)

120102-wreckitralphIf you like video games – or even if you don’t – see this movie. Yeah, so it’s a kid’s movie, but sometimes they can be really great. Sure it’s a little predictable in terms of the plot, but that’s okay sometimes, especially when you get the hilarity of John C. Reilly and Jane Lynch involved. Pair that with great classic video game references and a fascinating world where characters in these games meet up for drinks at the bar after the arcade is closed, and you’ve got a solid 108 minutes of fun.

8. Les Misérables (Tom Hooper)

130102-lesmizYou may be surprised to see this film so low on my list, especially seeing as it is based on my favorite musical of all time. I was a bit perplexed by this film – I went into it expecting to love Hugh Jackman and hate Anne Hathaway (my hostility against her is probably unwarranted, but oh well), but I was surprised to find that, while Jackman’s performance was emotionally strong and resonant, his wonderful Broadway voice just does not translate well to film. Hathaway, on the other hand, provided the single best scene of the movie with her impeccably performed ‘I Dreamed a Dream’. I didn’t like the fact that I liked her. Plus, my favorite character, Eponine (Samantha Barks) was somewhat forgettable (although I recognized her from a TV special of the musical when she unfortunately played opposite a Jonas brother, for fuck’s sake), and Marius (Eddie Redmayne) was a little whiny not well-suited to the screen. But overall, this film was basically the musical on the big screen, which simply doesn’t work. Film is something completely different than the Broadway stage, and it should be treated as such.


9. Prometheus
(Ridley Scott)

130103-prometheusI was really excited for Prometheus. I re-watched all of the Alien films shortly before going to see it to make sure I wouldn’t miss any hints or references. Well, there were plenty of those, but so much of the film just didn’t make sense. The acting was great, the visuals were great, but the story somehow seems incomplete. I suppose this is likely on purpose, as I’m sure Scott will be continuing the franchise, but come on. Even if a film is part of a series, it has to be able to stand on its own.

10. The Hobbit (Peter Jackson)

130102-thehobbitIt truly pains me to put this film at the bottom of my list. I was such a hardcore LOTR fan back in the day – I love the books, and I can’t even tell you how many (probably dozens) of times I’ve seen those films. The Hobbit isn’t bad, of course. It just isn’t great that either. The book is meant to be light and funny and it has an episodic structure as opposed to along epic narrative, so they felt the need to pull a super villain from the appendix to heighten the drama bit. But, I’m sorry, The Hobbit is about Bilbo, not Thorin Oakenshield. And it is Martin Freeman’s rendition of Bilbo that really saves this film – he successfully retains the goofiness of this children’s story amidst all the attempts to make it an epic tale like Lord of the Rings. (Also, side note: when you have a scene with such excellent actors as Ian McKellen, Cate Blanchett, Christopher Lee, and Hugo Weaving who can’t carry a scene because it is pure exposition and completely bores the audience, that is the writer’s fault. Rewrite it or cut it out altogether.)

So those are my thoughts on 2012. What are yours?