Star Wars VII to Get a Little J.J. Abrams (Lens) Flair

I’m sure by now you’ve all heard that J.J. Abrams has officially signed on to direct the upcoming Star Wars 7. For me, it has taken several days for this news to sink in, and I have mixed emotions about it. But I finally feel that I have something coherent to say.

130127-abramsFirstly: how the frak does this man get so lucky? Not only has he had a more than respectable run in television, most notably with Lost, then he was handed the blessed conch of Star Trek, and now he’s continuing the gorram Star Wars franchise?? If you ask me, this man made some supernatural deal with the lens flair devil–success and the coolest opportunities in exchange for his soul and no less than fourscore lens flairs in every film.

That being said–oozing with unabashed jealousy, might I add–I have been largely impressed with Abrams’ work thus far. Despite the fact that many hardcore Trek fans expressed disappointment and even outrage at the Star Trek reboot, I personally, very much enjoyed it.

To some extent then, I do have hope for Star Wars: Episode VII, especially because after the complete rubbish Lucas tried to pass off as an adequate prequel trilogy, there’s really nowhere to go but up. In particular, as noted on Axolotl Ceviche, at least Abrams has some handle on how to actually direct, while Lucas, despite his aptitude for pre-CG technical innovation, has been a miserable failure as a director of real people instead of puppets.

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But really, at the core, I think the success or failure of Episode 7 will hinge on the writing. Although Abrams has done his fair share of this, there’s no word as to how much involvement he will have with the actual writing of the script, with rumors that Michael Arndt (Toy Story 3, Little Miss Sunshine, and *gag* Brave) will be heading up the writing department.

The fundamental importance of a good script is exactly what makes me wish that Joss Whedon had been given the job. I may be a bit partial, as, just like the pulchritudinous Jason Segel to my right, Joss Whedon is my master now, but if his massive success with The Avengers has taught us anything, it’s that he knows his shit. I would feel much more comfortable with Star Wars in his hands than any one else’s. Sure he’s been super busy and probably needs a break and taking on the Star Wars franchise would definitely be a super stressful enterprise, but I don’t care. I’m selfish and I want more Jossy goodness.

While Arndt seems mostly competent and Abrams has a decent track record thus far, I’ll remain cautiously skeptical so as not to get my hopes too far up only to be disappointed by Star Wars 7. What are your feelings on the big announcement?

J.J. Abrams Set to Direct Next ‘Star Wars’ Film (Exclusive)
Lucas Shaw @ The Wrap

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Disney on Friday night confirmed TheWrap’s earlier report that J.J. Abrams will direct “Star Wars: Episode VII,” the latest film in the iconic franchise and the first since Disney bought Lucasfilm last October.

“J.J. is the perfect director to helm this,” Lucasfilm president Kathleen Kennedy said in a statement. “Beyond having such great instincts as a filmmaker, he has an intuitive understanding of this franchise. He understands the essence of the ‘Star Wars’ experience, and will bring that talent to create an unforgettable motion picture.”

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‘Once Upon a Time’: The Show I Love to Hate

With Once Upon a Time returning to TV this Sunday, I have to admit, I am filled with antici…

…pation.

This show has some of my favorite writers on its staff, including the incomparable Jane Espenson, yet despite a great team and a fascinating premise, I still find myself eagerly picking apart every episode as it airs, finding its weaknesses and the parts that don’t make sense. It seems that, ever since the mysterious twists and turns and big reveals of the first season, this Lost-style narrative structure (stemming, no doubt, from the creators of OnceLost writers Edward Kitsis and Adam Horowitz) isn’t really working anymore. Check out this PopMatters review on why this might be and let me know if you agree. TV writers in particular can learn a lot from both the strengths and the shortcomings of the popular show.

‘Once Upon A Time’: We All Love It, But Why?
Liz Medendorp @ PopMatters

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After the winter finalé of ‘Once Upon a Time’, I am left with both hope and skepticism. While this latest episode managed to retain a sense of cohesion and resolved a few of the perplexing concepts of the plot, quite a few issues with this popular series still remain. Despite some mediocre acting, a scattered and sometimes illogical trajectory, an overwhelming abundance of characters and unclear character motivations, ‘Once Upon a Time’ still keeps me coming back for more. But why? What is it about this world of fairy tale (and Disney, and Arthurian, and Gothic novel) characters that remains so compelling?”

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