‘Deception’: Deceptively Intriguing

A new crime investigation show, Deception, premiered on NBC last night, and while the premise seems intriguing enough, I’m not sure how sustainable it will be.

After the scandal of a young socialite’s death, the intrigue of this show centers around the dark secrets of her distinguished family and the tense, complex relationships between them. Deception then deceives us into thinking it is a show about solving a murder, hooking the viewer with a “whodunit”-type mystery, but in fact reveals itself to be more about the characters—exploring their relationships and inner struggles. While the members of this wealthy family could very easily come off as one-dimensional, the secrets they hide give these archetypal rich snobs a certain depth that makes them both intriguing and believable.

However, if the pilot is any indication as to the style of the show, most of the action seems to happen in the past. As secrets continue to be uncovered and as memories begin to resurface, flashbacks are (almost over-)used to help illustrate them. In the present, then, we find the characters spending most of their time simply talking about the past. Granted, as a pilot this episode does have to deal with a lot of exposition, but, especially seeing as this show is so character-driven, it would be all too easy to let action fall by the wayside. To be sure, a lot of action is not necessarily vital to maintaining interest if the characters are compelling enough, as they seem to potentially be, but a focus on the past can keep the story from moving forward.

The pilot then begs the question: where can you go with this? The complex relationships and the many skeletons in the Bowers family closet will certainly provide enough material to last at least until the end of the season, but at some point the murder will have to be solved, thus ending the investigation. While the family’s laundry list of secrets certainly appears to be never-ending, it is doubtful that they could carry the show through multiple seasons. If Deception hopes to have a long life, then, it will have to do more. Especially if it stays mired in the past and the secrets to be found there, the series won’t be able to move into the future.

Did you catch the premiere? Tell me what you thought.

Meagan Good Goes Undercover in ‘Deception’
Liz Medendorp @ PopMatters

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It opens like a standard crime investigation show: late at night, a shadowy figure follows a young woman to her car; by morning, she’s dead. But Deception isn’t just another crime procedural, as it seems to be. Instead, it’s another investigation of the dark secrets of the wealthy, who have a lot to hide.”

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‘Once Upon a Time’: The Show I Love to Hate

With Once Upon a Time returning to TV this Sunday, I have to admit, I am filled with antici…

…pation.

This show has some of my favorite writers on its staff, including the incomparable Jane Espenson, yet despite a great team and a fascinating premise, I still find myself eagerly picking apart every episode as it airs, finding its weaknesses and the parts that don’t make sense. It seems that, ever since the mysterious twists and turns and big reveals of the first season, this Lost-style narrative structure (stemming, no doubt, from the creators of OnceLost writers Edward Kitsis and Adam Horowitz) isn’t really working anymore. Check out this PopMatters review on why this might be and let me know if you agree. TV writers in particular can learn a lot from both the strengths and the shortcomings of the popular show.

‘Once Upon A Time’: We All Love It, But Why?
Liz Medendorp @ PopMatters

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After the winter finalé of ‘Once Upon a Time’, I am left with both hope and skepticism. While this latest episode managed to retain a sense of cohesion and resolved a few of the perplexing concepts of the plot, quite a few issues with this popular series still remain. Despite some mediocre acting, a scattered and sometimes illogical trajectory, an overwhelming abundance of characters and unclear character motivations, ‘Once Upon a Time’ still keeps me coming back for more. But why? What is it about this world of fairy tale (and Disney, and Arthurian, and Gothic novel) characters that remains so compelling?”

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New and Improved

I know I’ve been gone for a while, but I’ve gotten a new burst of energy and motivation to not let this wonderful platform go to waste. To that end, I’ve decided to change things up a bit.

So here’s the deal: mewling quim is now a source for all things pop culture, with a keen interest in the work of Joss Whedon, especially geared towards aspiring film and television writers, producers, directors, the whole shebang.

I’ll be posting reviews, news articles, helpful tools for screenwriters, information about industry trends, anything that looks interesting, helpful, or funny enough to keep your (and my) attention.

And, of course, in keeping with my mantra, discussions of censorship and freedom of speech may also figure prominently.

I want this blog to be helpful for you and for me. If you have any comments, suggestions, or articles you think would be of interest to my (as of yet very few) readers, send them my way.

Yours truly,

MQ